All of these are second hand, mostly from Entdinglichung and some from Platypus and Caring Labor, but I’ve added some annotation. Some I might have already posted. I have organised it like this to make more explicit the “thin red line” of the political tradition this blog celebrates. (more…)
Robert Service on Trotsky again: Service was on the weekend’s The Forum on the BBC World Service. The Service bit starts at 27 minutes. I don’t like Service’s analysis, although he is partly right. Service is right about Trotsky’s personality: cold, prim, glacial, disdainful, arrogant, self-centred. But Service basically says Trotsky and Stalin are “blood brothers”, that Trotsky was as ruthless as Stalin, who in turn was as much a “man of ideas” as Trotsky. This is surely not right, despite Trotsky’s faults. However, Service is right that Trotsky would have suppressed the peasants to achieve industrialisation, less brutally than Stalin but nonetheless harshly.
One interesting point Service makes is that other Russian exiles were making similar analyses of Soviet Russia, and have been forgotten. (He doesn’t name names, but Victor Serge, Ante Ciliga, Boris Souvarine, Voline, the exiled Mensheviks André Liebich writes about in From the Other Shore, and so on.) Service suggests that it was because Trotsky was a great writer and subsequently a great martyr that he became so important. I think this is true, but the third factor, both Trotsky’s strength and his flaw, his hubris perhaps, was that he was a great factionalist, with a sense of himself as a leader of a movement, something that was untrue of the other, more modest key figures of the anti-Stalinist left. Anyway, I still prefer Hitchens’ version. Lots more here.
Villains: Nat Hentoff.
George Orwell: His lessons for combating antisemitism today.
Histories: The Communist Party in the French resistance. New York elections: from honourable Jewish socialists to odious Marxoid cults. The end of the left’s Cuba romance? The state of Bund historiography [pdf]. The Labour Party and the Battle of Cable Street.
Interviews: Nick Cohen in Black Flag.
The Kaminski affair: Bob has a good round-up (scroll to “Strange alliances”).
If sharks were people: From Brecht’s Tales from the Calendar.
His original songs evoke a Brechtian level of discomfort by problematizing heroes and making the grotesque sympathetic. For example, “Six Million Germans/Nakam” recounts the story of the hero of the Vilnius (known in Yiddish as Vilna) partisans, Abba Kovner, who was among the brave men and women who fought, with few weapons and terrible odds, against the Nazis and their collaborators. Less discussed is Kovner’s decision, with a group of friends, to take revenge on the Germans after the war. Calling themselves Nakam (revenge), they concocted a plan to poison German water supplies and take millions of German victims in retribution. The song, performed as an upbeat klezmer polka, jarringly juxtaposes subject and tone to bring up two of Kahn’s favorite themes, violence and revenge, and forces the listener to question the nature of heroism and justice.
From the archive of struggle. no.16: At the risk of descending into some kind of ever-decreasing spiral of circularity, big thanks to entdinglichung, who thanks me in the latest in the excellent series of archival material from the history of the left. Included in this installment is more Karl Korsch from Class Against Class, Pierre Monatte in English from LBS, Sean Matgamna on Tony Cliff and the IS/SWP from back in 1969, a still anarchist Victor Serge in 1912 on banditry, and a homage to Marc Bloch, French anti-Nazi Resistance hero, by Georges Altman, founder of the “third force” socialist Rassemblement démocratique révolutionnaire.
Snippets: Dave O and Entdinglichung on the passing of Guillermo Lora, leader of Bolivia’s Partido Obrero Revolucionaria, one of the few Trotskyist organisations in history ever to gain a mass following. And Dave on why now is not the 1930s. Lefty parent in the basement of the library with Bakunin. More snippets from Roland and Bob. Soundtrack from Martin.
“Whilst doing only what is possible is healthy and reasonable, it is also dreary, and life is short anyway. Maybe for these reasons I am determined to win the Spanish Civil War”. These words were uttered by the Catalonian artist Francesc Torres (Barcelona, 1948), talking about his installation Dark Is The Room Where We Sleep, which has provided the title for the exhibition presented at ARTIUM. He went on to explain what he meant by his statement. Winning the war “consists, no more and no less,” he declares, “of preventing people from mistaking those who are in the right historically for those who are not. It involves never putting the innocent and the tyrants in the same basket. It consists of recovering the victims of a sinister regime so that everyone may know that they were indeed the victims and, once the fire is out, abandon weapons.”
“Painting is a medium in which the mind can actualize itself; it is a medium of thought…Painting is…the mind realizing itself in color and space.” – Robert Motherwell
On Friday May 1st, the ID Project Arts Group went to the Metropolitan Museum of Art to visit one of Robert Motherwell’s paintings from his series of “Elegies to the Spanish Republic”. He made over one hundred and seventy of these paintings which were a lament for the people and the culture that died in the Spanish Civil War. Motherwell, who was only 21 at the time the Civil War broke out was struck by the realization “that the world could, after all, regress.”
Cervantes on Orwell on Jura
The locals knew him by his real name of Eric Blair, a tall, cadaverous, sad-looking man worrying about how he would cope on his own. The solution, when he was joined by baby Richard and his nanny, was to recruit his highly competent sister, Avril. Richard Blair remembers that his father “could not have done it without Avril. She was an excellent cook, and very practical. None of the accounts of my father’s time on Jura recognise how essential she was.”
George Orwell wrote 1984 on Jura. Did you think about him much?
Yes, particularly when I went up to Barn Hill. The people there now are the same people who rented the house to Orwell, so there’s that continuity. The house is unchanged since he was there. I found it oddly moving – which is not like me. The consciousness of how ill he was and how driven he was to work under those circumstances, what a grim time it was in the post-war period.
José María Martínez Castillo, ‘Koke’
1926 Cabredo- 2009 London
Below the fold: anarchist history from Australia, Pittsburgh, Russia and Italy, council communist texts on-line, Karl Korsch, Franklin Rosemont… (more…)
[From the archive of struggle, no.1]
Important new stuff at the wonderful Class Against Class archive: